'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive

Victoria Addis


This interdisciplinary study investigates the tensions inherent within the anti-modern element of early modernism and its relationship to Victorian and fin de sile narratives of modernity. Using Sigmund Freuds Totem and Taboo (1913), this essay examines how the primitive is represented in E.M. Forsters short story The Machine Stops (1909) and Stravinsky/Nijinskys ballet The Rite of Spring (1913) and the ways in which those representations are utilised to relate contemporary concerns about modernisation and its effects on the individual. The use of the primitive in these early modernist works is built on a foundation of interest in primitive cultures fostered through popularised works of anthropological and ethnographic study, such as James George Frazers The Golden Bough (1890), and operates in relation to the primitivism movement in the visual arts. While Forster writes from the heart of the historic English countryside and Stravinsky from the backdrop of rural Russia, their works share concerns about the project of modernity and its impact on traditional ways of life. Yet in spite of the anti-modern message of Forsters and Stravinskys works, their uses of the primitive do not speak simply to a desire to return to a romanticised pre-modern age, but provide a counter-argument to modernity in the links drawn between excessive modernity (Forster) or industrialisation (Stravinsky) and the perceived savagery of primitive cultures.


Primitivism; Modernism; Stravinsky; E.M. Forster; Ballet Russes; Freud

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