| Issue | Title | |
| No 31 (2015): September | “Wortmaschine:” Electronic Music in Contemporary German Literature | Abstract PDF |
| Karoline Baumann | ||
| No 32 (2016): Spring | Bridging Music and Language in Samuel Beckett’s Ghost Trio and Nacht und Träume | Abstract PDF |
| Lucy Jeffrey | ||
| No 33 (2016): Autumn | Singing from Manuscripts? Fifteenth-Century, English, Secular Songs with Music and their Reading Practices | Abstract PDF |
| Timothy Glover | ||
| No 31 (2015): September | Blurred Identities: The Threepenny Opera between Stage-Play, Musical and Film | Abstract PDF |
| Judith Wiemers | ||
| No 23 (2011): September | “Let Me Take You Down...” Stephen Poliakoff's Strawberry Fields, Pop Music and 1970s Ennui | Abstract PDF |
| Kieran Curran | ||
| No 23 (2011): September | “Edgar Allan Poe: A Case Study for the Necessity of a ‘Word and Music’ Vocabulary” | Abstract PDF |
| Charity McAdams | ||
| No 25 (2012): September | Music, A Motif in Modernism: An Examination of the Musical Design in “Four Quartets” | Abstract PDF |
| Jeremy Diaper | ||
| No 26 (2013): March | The birth of the tramp: Chaplin, gesture, and the rhythms of modernity | Abstract PDF |
| Sarah Hanks | ||
| No 29 (2014): September | Music, Death-in-life and Paradise in Sylvia Townsend Warner’s Novel The Corner That Held Them | Abstract PDF |
| Lynn Mutti | ||
| No 31 (2015): September | ‘Throbbing on taut ear-drum’: The Acoustics of David Jones’ In Parenthesis | Abstract PDF |
| Suzannah Evans | ||
| 1 - 10 of 10 Items | ||
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