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No 31 (2015): September “Wortmaschine:” Electronic Music in Contemporary German Literature Abstract  PDF
Karoline Baumann
 
No 32 (2016): Spring Bridging Music and Language in Samuel Beckett’s Ghost Trio and Nacht und Träume Abstract  PDF
Lucy Jeffrey
 
No 33 (2016): Autumn Singing from Manuscripts? Fifteenth-Century, English, Secular Songs with Music and their Reading Practices Abstract  PDF
Timothy Glover
 
No 31 (2015): September Blurred Identities: The Threepenny Opera between Stage-Play, Musical and Film Abstract  PDF
Judith Wiemers
 
No 23 (2011): September “Let Me Take You Down...” Stephen Poliakoff's Strawberry Fields, Pop Music and 1970s Ennui Abstract  PDF
Kieran Curran
 
No 23 (2011): September “Edgar Allan Poe: A Case Study for the Necessity of a ‘Word and Music’ Vocabulary” Abstract  PDF
Charity McAdams
 
No 25 (2012): September Music, A Motif in Modernism: An Examination of the Musical Design in “Four Quartets” Abstract  PDF
Jeremy Diaper
 
No 26 (2013): March The birth of the tramp: Chaplin, gesture, and the rhythms of modernity Abstract  PDF
Sarah Hanks
 
No 29 (2014): September Music, Death-in-life and Paradise in Sylvia Townsend Warner’s Novel The Corner That Held Them Abstract  PDF
Lynn Mutti
 
No 31 (2015): September ‘Throbbing on taut ear-drum’: The Acoustics of David Jones’ In Parenthesis Abstract  PDF
Suzannah Evans
 
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Durham University Department of English Studies | Research English At Durham