"The Looking Glass": Visual Perception in Elizabeth Bishop's 'The Gentleman of Shalott' and John Ashbery's 'Self-Portrait in a Convex Mirror'

Kim Howey

Abstract


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Keywords


John Ashbery; Elizabeth Bishop; Visual Perception; Phenomenology; Aesthetics

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References


Ashbery, John. Self-Portrait in a Convex Mirror. Manchester: Caranet New Press,

Bishop, Elizabeth. The Complete Poems. New York: Farrar, Straus and Giroux, 1969.

Edelman, Lee. The Pose of Imposture: Ashberys Self-Portrait in a Convex Mirror. Twentieth Century Literature 32.1 (1986) 95114.

Jarraway, David R. O Canada!: The Spectral Lesbian Poetics of Elizabeth Bishop. PMLA 113.2 (1998) 243257.

Stamelman, Richard. Critical Reflections: Poetry and Art Criticism in Ashberys

Self-Portait in a Convex Mirror. New Literary History 15.3 (1984)

630.

Wade, Nicholas J., and Michael Swanston. Visual Perception: An Introduction.

London: Routledge, 1991.


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