| Issue | Title | |
| No 32 (2016): Spring | 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive | Abstract PDF |
| Victoria Addis | ||
| No 32 (2016): Spring | Voli Me Tangere: Touch and Tenderness in the Lady Chatterley Novels | Abstract PDF |
| Annabel Banks | ||
| No 31 (2015): September | Throbbing on taut ear-drum: The Acoustics of David Jones In Parenthesis | Abstract PDF |
| Suzannah Evans | ||
| Vol 39 (2019): Autumn | An Urban Romance: London and the Marriage Plot in Virginia Woolf's 'Night and Day' | Abstract PDF |
| Agnieszka Serdynska | ||
| No 20 (2009): September | And the waters broke above us: Dante, Ulysses, and the Contemporary Irish Poets Quest | Abstract PDF |
| Maren Kratz | ||
| No 34 (2017): Spring | The Poetry of Italicization: Acts of Perception in Louis MacNeices Snow and Train to Dublin | Abstract PDF |
| Nao Igarashi | ||
| No 8 (2003): September | The Storyteller in Chance: A Case Study of Joseph Conrads Marlow Narratives | Abstract PDF |
| Paul Wake | ||
| No 14 (2006): September | The Ghostly Body of England in Mary Butts With and Without Buttons | Abstract PDF |
| Tom Slingsby | ||
| No 14 (2006): September | Re-evaluating Woolfs Androgynous Mind | Abstract PDF |
| Elizabeth Wright | ||
| No 16 (2007): September | Ezra Pound and the Romantic Ideal | Abstract PDF |
| Jeffrey Side | ||
| No 17 (2008): March | Seeds of Darkness: Joseph Conrad and Ernest Dowson | Abstract PDF |
| Matthew Brinton Tildesley | ||
| No 23 (2011): September | The Little Magazine as Interdisciplinary Space: Literature and the Visual Arts in the Acorn (1905-6) and the Apple (1920-22) | Abstract PDF |
| Louise Kane | ||
| No 6 (2002): September | The Search for Authenticity: Aspects of Conrad's Existential Vision | Abstract PDF |
| Matthew Feldman | ||
| No 23 (2011): September | All is hubble-bubble, swarm and chaos: The cognitive contingencies and possibilities in Virginia Woolfs The Cinema | Abstract PDF |
| Avishek Parui | ||
| No 25 (2012): September | The Horror! The Horror!: Traumatic Repetition in Joseph Conrads Heart of Darkness and Mark Z. Danielewskis House of Leaves | Abstract PDF |
| Conor Michael Dawson | ||
| No 10 (2004): September | We Like a Fire and We Dont Mind if it Smokes: Gertrude Steins Transgressive World of Words in Lifting Belly | Abstract PDF |
| Tyke O'Brien | ||
| No 25 (2012): September | Music, A Motif in Modernism: An Examination of the Musical Design in Four Quartets | Abstract PDF |
| Jeremy Diaper | ||
| No 12 (2005): September | Perception, Communication, and Body Language in The White Peacock and Lady Chatterleys Lover | Abstract PDF |
| Ollie Taylor | ||
| No 32 (2016): Spring | Bridging Music and Language in Samuel Becketts Ghost Trio and Nacht und Trme | Abstract PDF |
| Lucy Jeffrey | ||
| No 13 (2006): March | Virginia Woolfs Versions of Russia | Abstract PDF |
| Darya Protopopova | ||
| 0 - 0 of 21 Items | > >> | |
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